Compact MIDI controllers grow up
A compact MIDI controller is a small, portable music production keyboard that sends performance data to computers and hardware, combining playable keys with knobs, pads and transport controls for producing, recording and performing. Arturia’s new MiniLab 37 and Novation’s updated Launchkey 61 MK4 show how this category is maturing, with more musical range, DAW-aware features and deeper software integration packed into light, bag-friendly designs. Both models target producers who want a portable MIDI controller that still feels like a serious music production keyboard rather than a compromise. Their launches underline three big trends: smarter links to software instruments, better performance tools for idea generation, and growing attention to aesthetics, from RGB pads to full white finishes, as producers treat their desks like creative spaces worth personalising.
Arturia MiniLab 37: Small footprint, wider range
Arturia’s MiniLab 37 expands the MiniLab 3 concept with 37 slim keys, adding a full extra octave while staying only marginally larger and lighter thanks to a shallower chassis. The compact MIDI controller keeps tight DAW integration across Ableton Live, Logic Pro, Cubase, FL Studio, Bitwig, Reason, Pro Tools and Digital Performer, supported by eight rotary encoders, four sliders, RGB touch pads in a 2×4 grid and a mini display with clickable browsing knob. Creative performance tools include an arpeggiator, chord mode, octave shifting and semitone transpose, keeping melodic ideas close to hand. According to Arturia, “MiniLab 37 is designed to adapt to every creative need,” from a first music production keyboard to a secondary studio controller. Sustainability also gets space in the design, with a frame made from 50% recycled plastic and fully recycled packaging.

Novation Launchkey 61 MK4: NKS-ready and performance-focused
Novation’s Launchkey 61 MK4 White keeps the feature set of the black 61-key model but introduces a crisp white-and-grey aesthetic and adds Novation Play software, which folds emulations of Sequential, Oberheim and Novation synths into a single instrument for Launchkey MK4 and FLkey 2 owners. The music production keyboard offers semi-weighted keys, eight encoders, nine faders and 16 velocity-sensitive pads with polyphonic aftertouch for expressive beat programming and chord work. Built-in performance tools include an arpeggiator, chord modes, scale mode and an OLED chord detector, alongside split and layered keyboard zones. The portable MIDI controller also features full-size MIDI out for hardware and is NKS enabled, so Native Instruments software can be controlled more intuitively. The Launchkey 61 MK4 White is available at $329.99 (approx. RM1,540) / £279.99.

Playability, software integration and value
Both controllers aim to feel like complete production hubs rather than basic input devices. The MiniLab 37 focuses on compact efficiency: 37 keys, encoders, faders and 2×4 RGB pads tuned for DAW control make it a strong option for small desks, travel setups and live rigs, especially at €149 (approx. RM760). Novation’s Launchkey 61 MK4 White stretches in the opposite direction, offering more keys, semi-weighted feel, extra faders and pads, and NKS support for hardware-style control of Native Instruments software. Where Arturia leans into space-saving design and eco-conscious materials, Novation doubles down on hands-on mixing, split and layer functionality and integration via Novation Play and NKS. For producers deciding between them, the trade-off centres on key count and depth of hardware control versus footprint and cost.

Design, colour and the modern producer’s desk
Beyond specs, both releases show how design and customisation have become part of the buying decision for compact MIDI controllers. Arturia’s MiniLab 37 refines the pad layout into a 2×4 grid, similar to Akai MPC-style beat pads, giving a more performance-friendly and visually clear surface while keeping the overall profile tidy. Novation’s shift to white for the Launchkey 61 MK4, following white versions of the Launchkey Mini 37 and 49, reflects demand for setups that match studio furniture, lighting and even streaming aesthetics. Producers who perform on camera or work in tight spaces gain controllers that look like intentional parts of a creative environment. Together, these products show that modern music production keyboards must balance feel, features and price, but also how they fit visually into the workspace.






