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Wooden Camera’s New Top Plate and Side Rails Elevate Immersive Capture on URSA Cine

Wooden Camera’s New Top Plate and Side Rails Elevate Immersive Capture on URSA Cine

Optimized Camera Rig Accessories for Immersive Capture

Wooden Camera is expanding its ecosystem of camera rig accessories with a redesigned Top Plate and Side Rails tailored specifically for the Blackmagic URSA Cine Immersive. Unlike generic brackets or cheese plates, these components are engineered around the camera’s immersive capture format and unconventional body shape. As immersive cinema equipment matures, physical support and mounting options become just as critical as sensor and lens performance. Wooden Camera’s design team treated the URSA Cine Immersive not simply as another URSA variant, but as a platform that demands dedicated professional camera support. This approach allows cinematographers to build robust, balanced rigs that accommodate additional devices needed for immersive shoots—such as monitoring, power distribution, and sync hardware—without compromising the camera’s 180-degree imaging capabilities or thermal performance.

Wooden Camera’s New Top Plate and Side Rails Elevate Immersive Capture on URSA Cine

Redesigned Top Plate: Built Around a 180-Degree Field of View

At the heart of the new Blackmagic URSA accessories is an extended Top Plate that respects the camera’s 180-degree field of view. Traditional plates risk creeping into frame or blocking crucial airflow when mounted near ultra-wide lenses. Wooden Camera’s revised design pushes mounting real estate outward while preserving the optical path, so operators can safely attach handles, wireless video systems, or focus control receivers. Additional mounting points increase flexibility for complex immersive cinema equipment stacks, while integrated padding reduces flex and vibration transfer into the body. Just as importantly, the plate retains proper heat dissipation, helping the URSA Cine Immersive maintain stable performance during long takes and high-data-rate recording. For productions pushing the camera to its limits, this balance of rigidity, clearance, and cooling is essential to dependable, day-long operation.

Side Rails: Structural Backbone for Professional Camera Support

The new Side Rails extend the functionality of the Top Plate by acting as a structural backbone for the URSA Cine Immersive rig. They mount directly to both the Top Plate and Riser Plate, reinforcing the assembly and reducing flex, which is crucial when the camera is loaded with accessories or operated on moving platforms. Importantly, the design avoids obstructing rod placement, preserving compatibility with standard 15mm or 19mm rod-based systems for matte boxes, follow focus units, and lens motors. The Right Side Rail features multiple mounting points, enabling clean integration of additional camera rig accessories like timecode boxes, transmitters, or mounting arms. This modularity empowers camera teams to build out fully featured immersive configurations while keeping weight distribution and attachment points organized, secure, and repeatable from one setup to the next.

Part of a Growing Ecosystem for Next-Generation Cinema Systems

These URSA Cine Immersive components are not standalone one-offs; they extend Wooden Camera’s broader ecosystem for Blackmagic URSA systems, including the URSA Cine 12K and 17K. The company has used real-world user feedback to refine earlier designs, then applied those insights to the immersive model. Alongside the new Top Plate and Side Rails, Wooden Camera is also rolling out Side Rails for existing URSA Cine models and a 30V power supply designed to deliver optimal performance to the camera and its D-Box power distribution system. With options like a Gold Mount Plus solution that allows batteries to be mounted perpendicular to the camera, the ecosystem reflects how professional camera support is evolving in step with high-end, next-generation capture. For filmmakers, this means immersive rigs that are more reliable, adaptable, and ready for demanding production environments.

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